Valeria Yscava 6e1m3t
Art is centered on one fundamental, basic plot, one figure – a person. As an artist, I focus my optics on the nature of personality in its relationships with others, in interaction with the network of cultural traditions and codes. In this limitless field of research, I problematize the figure of a person as a medium, offering viewers to critically consider our ability to hear and understand each other, to be sincere.
I work with people's stories, using allegories, wordplay, the form of a symbolic and pictorial palimpsest. History is accumulated by a person, turning into a unique symbolic aura, like a tree rhizome. It is this model that seems to me the most interesting context for working with a portrait image. Constructing characters according to this model, I create and, at the same time, strive to unravel the appearance of a person as a rebus – as a restrained and unpredictably distorted exteriority of his inner world, his feelings, views and experience, his personal history. As an exquisite dance of reality and fiction, a wild fantasy that serves either the creative or escapist principle in a person.
As an artist, I only bring the characters to light, trying to let them express themselves and tell about themselves. For me, as well as for the viewer, the person depicted in the portrait always remains a mystery.
However, despite the fact that people are not endowed with the ability to read each other's thoughts, our desire to be sincere is not hopeless. There is always an opportunity to approach the Other - through participation in the collective, in the archetypal. This is only a whisper, but its echo can be heard and recognized in the Other. This is the balance between knowledge and complete ignorance: to be sincere, but never have the opportunity to be completely visible; to doubt, but inevitably to be involved.
For me, a portrait is a kind of field of conceptualization of a vacuum as an imaginary quality that we, by inertia, attribute to the endless network of intertext. There is no void as such between people, everything is interconnected. I strive to project this diachrony of illusion and reality onto a familiar, empathically close image of a person.
In the end, a person, a portrait, a private worldview never remain isolated from the attention of the Other. We live a t historical experience, an experience of sharing the sensory. I paint portraits of the Other, likening them to still frames, which at first glance may seem meaningless, empty. But in fact, each such still frame is a part, a link in a modern history familiar to everyone and lived by everyone.
Discover contemporary artworks by Valeria Yscava, browse recent artworks and buy online. Categories: contemporary brazilian artists. Artistic domains: Painting, Drawing. type: Artist , member since 2024 (Country of origin Brazil). Buy Valeria Yscava's latest works on ArtMajeur: Discover great art by contemporary artist Valeria Yscava. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
Latest Artworks • 21 artworks 3b3j4k
View allValeria Yscava 1n5f5v
Watercolor on Paper | 18.9x13.4 in 3b5445
Sold Artworks • 4 artworks 64s73
Recognition 4iks
The artist has won prizes and awards
The artist has been published in the media, radio or TV press
The artist's works have been noticed by the editorial staff
The artist participates in art shows and fairs
Biography 1m2d44
Art is centered on one fundamental, basic plot, one figure – a person. As an artist, I focus my optics on the nature of personality in its relationships with others, in interaction with the network of cultural traditions and codes. In this limitless field of research, I problematize the figure of a person as a medium, offering viewers to critically consider our ability to hear and understand each other, to be sincere.
I work with people's stories, using allegories, wordplay, the form of a symbolic and pictorial palimpsest. History is accumulated by a person, turning into a unique symbolic aura, like a tree rhizome. It is this model that seems to me the most interesting context for working with a portrait image. Constructing characters according to this model, I create and, at the same time, strive to unravel the appearance of a person as a rebus – as a restrained and unpredictably distorted exteriority of his inner world, his feelings, views and experience, his personal history. As an exquisite dance of reality and fiction, a wild fantasy that serves either the creative or escapist principle in a person.
As an artist, I only bring the characters to light, trying to let them express themselves and tell about themselves. For me, as well as for the viewer, the person depicted in the portrait always remains a mystery.
However, despite the fact that people are not endowed with the ability to read each other's thoughts, our desire to be sincere is not hopeless. There is always an opportunity to approach the Other - through participation in the collective, in the archetypal. This is only a whisper, but its echo can be heard and recognized in the Other. This is the balance between knowledge and complete ignorance: to be sincere, but never have the opportunity to be completely visible; to doubt, but inevitably to be involved.
For me, a portrait is a kind of field of conceptualization of a vacuum as an imaginary quality that we, by inertia, attribute to the endless network of intertext. There is no void as such between people, everything is interconnected. I strive to project this diachrony of illusion and reality onto a familiar, empathically close image of a person.
In the end, a person, a portrait, a private worldview never remain isolated from the attention of the Other. We live a t historical experience, an experience of sharing the sensory. I paint portraits of the Other, likening them to still frames, which at first glance may seem meaningless, empty. But in fact, each such still frame is a part, a link in a modern history familiar to everyone and lived by everyone.
- Nationality: BRAZIL
- Date of birth : 1993
- Artistic domains:
- Groups: Contemporary Brazilian Artists

Ongoing and art events w2f6w
Influences 5m463t
Education 4y605l
Artist value certified 2u6bt
Achievements 3q1zx
Prizes and Awards 544r1d
Collective Expositions 6m4mk
Activity on ArtMajeur 2q2y
Latest News All the latest news from contemporary artist Valeria Yscava 67365r
Drowning 2a3x4g
Immersing my own images in watercolor creates a very unusual spectrum of sensations — a gentle destruction of a familiar image that somehow feels so right and relaxing, as if you are sinking into a bath and letting something go. Drowning is often associated with melancholy and hopelessness, yet here it brings relief, like forgiveness.
Beauty of a woman 575i2t
The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It's the caring that she lovingly gives, the ion that she shows & the beauty of a woman only grows with ing years.
Audrey Hepburn
