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Usage: Web Licence
| 718 px | ||
 |
1000 px |
| Dimensions of the file (px) | 718x1000 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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- Photo Montage on Plexiglass
- Dimensions Height 20.1in, Width 28in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Classicism
The maximum size of works is 1000x700 mm. made of solid material. Increasing the size of paintings is possible only in case of modular assembly, in this case, the maximum size is limited by the material possibilities and imagination of the customer. The technology of printing (light field) is practically unique. In the whole world only a few people possess it. An obligatory attribute of each painting is a backlight. Thus, paintings can be exhibited in poorly lit or unlit rooms.
The technology provides a mandatory front illumination of the painting, adjustable in brightness.
The painting canvas is supplied without lightbox, protective glass and frame, which must be additionally purchased and used to view the painting.
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I had no teachers or mentors. The primary information about technology is obtained from articles published on the Internet. I used to rely on my taste and my experience. I made my first 3d painting about 15 years ago and spent 3 months of daily hard work on it. At that time I tried many software products to optimise my work, and finally I chose the tool that best suited my needs. I refused to use such programmes as 3D MAX and similar ones and opted for Photoshop. Currently, it is my basic tool in which the sketches of my works are born. At present I have more than 100 author's works waiting for their release into the world of stereo art connoisseurs.
The whole work is divided into two stages.
The first stage is the most important. It is a choice of a scenario, selection of material for its realisation, compilation of material, digitisation, drawing, digital processing, coordination of elements of the future picture, finalisation. All this lasts until I get the desired result.
Then I proceed to the second stage of my work. The picture is cut into many layers and then, manually, a depth map is drawn for each layer. In this way I create many three-dimensional images that fit into an overall three-dimensional story.
All my works, without exception are 3d holographic compositions, assembled and realised with the use of light field technology, fully possess high technical characteristics, as they contain signs of scientific, technical and creative approach, made on the basis of original solutions of the author. The level of elaboration and detailing of the works allows to achieve not only the deepest possible 3d-effect, without distortion and blurring, but also to go beyond the boundary of human perception, to reveal a new reality, previously hidden from perception. A distinctive feature of the works is the realistic technique of material presentation, carefully prepared to create compositions with the maximum level of parallax (stereo depth), allowing to see the details of the middle and background hidden in static images.
- Nationality: ISRAEL
- Date of birth : 1965
- Artistic domains:
- Groups: Contemporary Israeli Artists
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