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Hybridation-NNL-7 (2024) Textile Art by Andreea Talpeanu

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
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  • Fabric
  • Dimensions 16.7x12.8 in
    Dimensions of the work alone, without framing: Height 16.5in, Width 12.6in
  • Framing This artwork is framed
  • Categories Nature
About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Collages. Collage is an artistic creation technique that consists of making a plastic creation by combining elements of various kinds: more or less flat materials, such as printed oilcloth, painting or drawing, newspaper extracts [...]

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Hybridation

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Andreea Talpeanu, born in 1982, lives and works in Paris. Growing up in Romania in the 1980s and then being confronted with wild capitalism after the revolution has led the artist to an unconventional type of [...]

Andreea Talpeanu, born in 1982, lives and works in Paris. Growing up in Romania in the 1980s and then being confronted with wild capitalism after the revolution has led the artist to an unconventional type of expression. Her work involves sculptures, paintings, installations and drawings, and her current research focuses on the notion of connection, of syncretism between different parts of the contemporary system. The use of thread plays an important role in her creation: it is a mode of expression from ancient times, used deliberately to describe the incessant mutations and hyper-reactivity of the current world.

This weaving gesture of the artist — falsely innocuous — expression of his confrontation with the world, turns out to be a way of constituting a whole, a true political statement regarding the waste that modernity produces. The objects used in his sculptures are the organs of a body that metabolize both our natural, libidinal, impulsive and consumerist aspect, as well as the hyper surgical transformation and types of submission to suspect authoritarian structures. These obsolete objects are both the relics of a dead society and the structure of our current social mutation. The body, in the acceptance of the "whole", is only the fruit of paradoxical fusions, which takes on meaning under a slow temporality: sewing.

Although the artist was influenced by Arte Povera, Abstract Expressionism and Dada, she aims to educate hypermodernism in art and sculpts the contours of this new movement. Her works represent both a critique and a revaluation of modernism, at the same time as they decline two other particularities of hypermodernism: recycling and syncretism. Deeply rooted in the questioning of the current world, the artist, like a columnist but with a lot of poetry, uses and incorporates obsolete objects to create new bodies and materials. Recycling being one of the most important prerogatives of the new march of the world, Andreea Talpeanu adapts to this new philosophy of life to better connect disciplines, ideas, segments of the contemporary

See more from Andreea Talpeanu

View all artworks
Textile Art titled "Hyper-plante Rol-Di…" by Andreea Talpeanu, Original Artwork, Embroidery Mounted on Wood Stretcher frame
Textile Art on Wood | 45.3x29.5 in
$2,455.53
Painting titled "Biotope No. 3" by Andreea Talpeanu, Original Artwork, Acrylic
Acrylic on Canvas | 57.1x45.3 in
$2,584.65
Textile Art titled "Nu d'enfant (Le fil…" by Andreea Talpeanu, Original Artwork, Embroidery
Textile Art on Object | 27.6x5.9 in
$1,964.66
Textile Art titled "Nu d'agneau" by Andreea Talpeanu, Original Artwork, Cardboard
Textile Art | 70.9x47.2 in
$9,932.63

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