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Silhouette of a man against a grid. (2011) Photography by Andriy Solovyov

Not For Sale
  • Digital Photography
  • Dimensions Height 11.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Everyday Life
The artwork "Silhouette of a erby against a grid of a non-working amusement park" by Andriy Solovyov is a captivating photography piece that captures the essence of everyday life in a unique manner. The silhouette of a man standing against a grid in the backdrop of a non-working amusement park creates a striking visual contrast. The artist's choice [...]
The artwork "Silhouette of a erby against a grid of a non-working amusement park" by Andriy Solovyov is a captivating photography piece that captures the essence of everyday life in a unique manner. The silhouette of a man standing against a grid in the backdrop of a non-working amusement park creates a striking visual contrast.

The artist's choice of subject and composition brings a sense of mystery and intrigue to the viewer, inviting them to ponder the story behind the scene. The play of light and shadow in the silhouette adds depth and dimension to the image, enhancing the visual impact of the artwork.

By portraying a common scene in an uncommon way, Andriy Solovyov's photography invites us to pause and appreciate the beauty in ordinary moments. The Classicism genre of the artwork reflects a timeless quality that transcends contemporary trends, making it a piece that resonates with viewers across different backgrounds and preferences.

Overall, "Silhouette of a erby against a grid of a non-working amusement park" stands out as a testament to the artist's keen observation, creative vision, and technical skill in capturing the essence of everyday life through the lens of a camera.

Related themes

Grain

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I am interested in different categories of abstraction, as well as people and nature — my favorite themes. In my earlier work, I used film cameras, but now I prefer digital ones. Recently, I choose digital cameras [...]

I am interested in different categories of abstraction, as well as people and nature — my favorite themes. In my earlier work, I used film cameras, but now I prefer digital ones. Recently, I choose digital cameras for their high image detail.

I enjoy showing the extraordinary in the ordinary. Light and shadow create an amazingly elegant, ephemeral beauty in the surrounding world and a subtle simplicity in the image.

In most of my photographs, I shoot documentarily, but the only change in this process occurs when I work on the computer to make the final edits for printing. It is here that I allow myself greater freedom in how the photograph will ultimately look. I enjoy photographing in series.



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