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L'Ankou (2018) Printmaking by Aurélie Bescond

Not For Sale

Seller Aurélie Bescond

Fine art paper, 11x8 in

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  1055 px  

1500 px
Dimensions of the file (px) 1055x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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  • Linocuts on Paper
  • Dimensions Height 8.3in, Width 5.8in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Gothic
Gravure sur linoléum (14,8 x 21 cm). Ma toute première gravure. Le résultat n’étant pas des plus réussis, cela m’apprendra à acheter de l’encre en promo sur le web à moitié desséchée dans son tube. Toutefois, ce petit effet tramé façon vieille gravure de romans feuilleton m’a beaucoup plu, et j’ai finalement choisi de conserver l’image en l’état. About [...]
Gravure sur linoléum (14,8 x 21 cm). Ma toute première gravure. Le résultat n’étant pas des plus réussis, cela m’apprendra à acheter de l’encre en promo sur le web à moitié desséchée dans son tube. Toutefois, ce petit effet tramé façon vieille gravure de romans feuilleton m’a beaucoup plu, et j’ai finalement choisi de conserver l’image en l’état.

Related themes

Bretagne

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Illustrator born in 1980, Aurélie Bescond studied applied arts before training in digital graphics. She published her first illustrations in 1999 with Editions Le Rat Pendu for which she ran a section dedicated [...]

Illustrator born in 1980, Aurélie Bescond studied applied arts before training in digital graphics. She published her first illustrations in 1999 with Editions Le Rat Pendu for which she ran a section dedicated to Japanese fantastic art for a few years.

After a little detour through English-French literary translation following a TMS in her right hand, she recently reconnected with her first love.

Through her illustrations, she approaches themes that are dear to her such as Breton legends, fantasy and death, using her favorite techniques of watercolor and Indian ink, sometimes mixed with new media, without forgetting the bic pen. Because the simplest tool is often the one with the greatest expressive power.

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