“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印相关主题
Cícero Spin is a Brazilian mixed-media artist, born in Brasília in 1973 and living in Fortaleza since 2006. His work is a fusion of pop art, graffiti and street art, with a strong influence from urban visual culture and the aesthetics of wear and tear - the trace of time imprinted on the surfaces of the city. His artistic career began independently, guided by intense study and daily experimentation with materials and techniques. The turning point came in 2012, when he visited Art Basel Miami and realized that not only did he like art, but that he could create his own works. The impulse to start was so strong that the idea never left his head, and over the next few months he immersed himself in learning the fundamentals of drawing, elements of art, composition and mixed techniques. It was a calling that required courage, as it meant embarking on a new path as an adult and dealing with possible misunderstandings. But right from the start, it was clear that it wasn't a hobby - it was a vocation.
Cícero Spin has developed his own style, in which the reuse of discarded materials is a central element. He builds his own s from office papers, old book pages, fragments of magazines and newspapers, glued together or on fabrics.
This base is transformed into a textured visual field reminiscent of city walls, where layers of paint, torn posters, advertising and graffiti fragments accumulate over time. Through this construction, he seeks to reveal reminiscences of beauty, even in the midst of noise and chaos. His creative process usually involves digital and manual phases. He often uses the iPad and computer for planning and composition, often resorting to public domain images, which are digitally manipulated and then printed to compose collages or serve as the basis for new layers of paint. Stenciling is a recurring technique, both in the digital phase and in the final execution of the work, as is inkjet or laser printing on reused paper. He also uses algorithmic art, creating drawings with a simple plotter and interfering manually to bring unexpected elements into the compositions. His references come from pop culture, especially from the 1950s to the 1980s, old comics, music concert posters, abstract expressionism and especially abstract realism.
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