Boxeurs (2024) Painting by David Stany Garnier
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 748 px | ||
 |
1500 px |
| Dimensions of the file (px) | 748x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Acrylic on Canvas
- Dimensions Height 15.8in, Width 31.5in
- Artwork's condition The artwork is in good condition
- Framing This artwork is not framed
- Categories Martial Art
- 80 x 40 cm
- système d'accrochage / picture hanger
- sans cadre / no frame
- fourni avec un certificat d'authenticité / supplied with a certificate of authenticity.
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David Stany Garnier, a contemporary French artist, embarked on his artistic journey by ing a painting studio during his teenage years. Following this, he pursued a preparatory class at the Ateliers de Sèvres in Paris and later continued his studies at the Beaux-Arts d'Angers. Specializing in the visual communication option from the third year onwards, he explored various mediums such as video, computer graphics, photography, lithography, and screen printing.
Influenced by diverse sources, including advertising, Japanese visual arts, and cinema, Garnier developed a unique approach to his art. Unlike digital media, he places significant importance on the materiality of his works. He values the textural elements created by layers of paint, embracing accidents and extra thicknesses that catch light in distinctive ways.
Garnier's artworks often resemble palimpsests, where remnants of previous attempts contribute to the thickness and richness of a new image. The use of acrylics, known for their quick drying, allows him to work swiftly and capture the immediacy of his creative impulses. The process is akin to quick sketching, where a single stroke can encapsulate the essence of the intended representation.
One notable distinction from digital art is the irreversible nature of painting, without the luxury of the Ctrl + Z command. Garnier navigates the complexities of decision-making in his creative process, grappling with whether to improve, erase, or leave a stroke untouched. The accumulation of strokes and blots, while unpredictable, often leads to unexpected starting points and new approaches to the initially envisioned subject.
- Nationality:
- Date of birth : 1978
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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