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"THE ARTIFICIAL INTELLIGENT" (2023) Painting by Giò Pasta

Oil on Canvas, 19.7x27.6 in
$4,809.87
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Fine art paper, 8x11 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Pigments on Canvas
  • Dimensions 23.6x31.5 in
    Dimensions of the work alone, without framing: Height 19.7in, Width 27.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Caricature
"THE ARTIFICIAL INTELLIGENCE". In the artistic realm, the artwork engages with artificial intelligence algorithms, challenging the concept of the digital experience as progress in art and as a social dimension. This confrontation creates a short circuit, akin to the effect of a collective hallucination, highlighted by the character depicted in the [...]
"THE ARTIFICIAL INTELLIGENCE"
In the artistic realm, the artwork engages with artificial intelligence algorithms, challenging the concept of the digital experience as progress in art and as a social dimension. This confrontation creates a short circuit, akin to the effect of a collective hallucination, highlighted by the character depicted in the artwork, overwhelmed by "AI trips" with a bewildered gaze, unleashed from a dazzled mind surrounded by AI splattering from all sides. Immersed in easy gains, the character is surrounded by a crowd of individuals involved in "disco-money," clapping hands in celebration.

The conceptualization of the artwork, metaphorically, plays a fundamental role in the economy as well as in all sciences, including art. The metaphor of artificial intelligence is gaining increasing importance in the economic sphere, particularly in representing "limited rationality." The two concepts seem intertwined, while it would be better to discard the former to preserve the latter. On the other hand, artificial intelligence and the economy share issues with common measurements.
Let's pose specific questions, especially in schools, promoting entrepreneurship in the economic sphere: does information help in making decisions?
Are new technologies truly functional to the world of art? The optimistic claim: "Certainly, they enhance the dynamics of economic relationships, with Crypto art leading the way." But wasn't this an experimentation? "No, it's obvious, isn't it? Transforming forms and aesthetics into content and making these contents sellable through AI, we will all be richer."

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I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the [...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

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