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HOMMES EN BÔITES - Rouge #1 (2021) Painting by Gregory Evans
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- Oil on Canvas
- Dimensions 23.8x23.8 in
Dimensions of the work alone, without framing: Height 19.7in, Width 19.7in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Esotericism
Fin octobre 2020, la est entrée dans sa deuxième période de confinement pour cause de Coronavirus. À cette époque, l'imprévu ne nous était pas étranger, et c'est donc sans surprise que l'idée de cette série a germé. Je venais de terminer mes six premiers tableaux depuis que j'avais commencé à utiliser la peinture à l'huile et j'étais prête pour quelque chose de nouveau, et voilà. Quels que soient notre âge, notre couleur, notre sexe, nos préférences politiques ou religieuses, nous avions tous enduré cet « enclos » au cours de la même année - une seule et même personne, il n'y avait pas de discrimination dans cette aventure. Les réalités de la vie gouvernée nous ont en effet montré la prison qui peut si facilement être créée par un éternuement. Le choix des politiciens et des médias de propager le terme « lockdown » n'était pas une coïncidence - c'était une prison dans laquelle nous nous trouvions. Cet événement, notre deuxième confinement, notre mise dans ces boîtes proverbiales et métaphoriques, a été la motivation dont j'avais besoin pour justifier la commande d'une douzaine de tubes de peinture.
Ce qui est intéressant à propos des boîtes, c'est que même sans ces directives exécutives et politiques qui insistaient pour que nous prenions place dans ces boîtes, nous existions déjà dans des boîtes que nous avions conçues nous-mêmes. Ces boîtes sont créées par nos croyances et par nos propres choix limitatifs. La leçon à tirer de ces boîtes réside dans le fait que, quelle que soit la manière dont nous les percevons, nous sommes toujours libres de choisir comment elles nous apparaissent, comment nous les ressentons, quelle taille elles semblent avoir et ce que nous nous permettons d'y faire. C'est à nous de choisir à quel point nos boîtes peuvent être belles et excitantes, et à nous d'être responsables.
Peintures à l'huile sur toile montée sur un panneau de bois. Des méthodes additives et soustractives ont été utilisées avec les peintures. Les pinceaux, les couteaux, le papier de verre, les bâtons de coton, les cure-dents et les doigts ont été les outils utilisés. Les peintures sont finies à la cire froide de l'artiste et chaque peinture mesure 50 x 50 centimètres.
Born in 1957 in Wimpole Park, Cambridgeshire, England, Gregory was raised in the wild and savage streets of the 1960s and 1970s in the beach communities of Santa Monica and Venice in Los Angeles, participating in the hippie, surfing, skateboarding, and punk revolutions of the time, all of which left an indelible mark on him for life . He currently lives and works in Mayenne, . His work is owned and exhibited by private collectors in America, Holland, , Italy, England and Scotland. The artist graduated in graphic design and found his way into the world of fine arts where he is self-taught.
In the artist's words -
I’m fascinated by life, and in particular by human behavior – for me, its all about relationship. I’m always amazed how we, as people, interact with what is around us, our response to the stimuli of the world, whether negative or positive. I tend towards storytelling, displaying the relationships we have in relation to where we are in our lives, how we’re placed in our environments. This allows me to explore both the concrete and the abstract. My research explores our stories, the myths of humanity, in a simple and direct way, without judgment, so that we can better understand ourselves and our world better.
I’m seduced by a blank canvas quickly and easily, accepting that provocation deliberately and with a fiercely planned spontaneity. I see the blank canvas as the void itself, an abyss of potential, knowing that all things and anything can appear in what is essentially just a mirror of one’s self. Some would say this emptiness, this void, is intimidating — to be staring at a nothingness that will soon be filled by the unknown is a heavy burden if taken too seriously, but for me, it is a priceless thing, its a brilliance that shines in a way that nothing else can. I thrill to the challenge of aiding those abstract concepts through into the realm of the concrete.
My work is enigmatically lyrical, cryptic, sometimes sinster and always, always playful. I push and probe without forcing things – my goal is to pay homage to our human condition in its joy and vigor, its madness and fragility, its purity and its corruption, in all its problems and all its solutions.
I use a variety of mediums and s, although my main work is done in oil on canvas in all formats – small to medium, large to extra-large, and I always have multiples going at one time, up to a dozen or so. My colors and approach are bold and challenging, only slightly guided by laws which are much more flexible than most would consider.
- Nationality:
- Date of birth : 1957
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
