Sold
See more from Helen HillThe artist offers works on commission
Did you miss the opportunity to buy this work? Good news: the artist can also create a custom work, just for you!
Seller Helen Hill
Purchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1135 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1135x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
Inspiration - Paysage - un arbre montrant le printemps à venir ! On à besoin !
Couche de vernis pour protéger des rayons UV
Œuvre vendue avec e-partout 40 x 30 cm
Related themes
Settled in in 1980 after her studies at the Beaux Arts in London, Helen Hill moved to the Dordogne in 1986. Very recently, since the end of 2022, she moved to Lot et Garonne.
She has been exhibiting throughout since 1985.
“I am consciously inspired by the landscapes, a view through a window or through the vegetation, those of Périgord with its faceted forests. multiple, those of my British Cornwall and its now abandoned mining operations and the bocage undulations of Limousin. The essence of the lights, sparkling and oceanic, filtering through the undergrowth or leaden under a threatening sky encourages me to transcribe the emotion felt. »
Collage has always been his main technique. Paper, of all kinds, must be flexible, worked, reworked before the work is produced. More frequently she creates the “graphic image” on the paper based on a preconceived idea but she also happens to be inspired by a piece of paper.
Concerning its function, the prepared paper must create a surface that is only visual because the physical appearance (the relief) does not interest him.
The imprint, engraving and rubbing have been present in his collages for a very long time: motifs that recur, repeat, resemble each other without being completely identical.
Collage allows him to construct an image by adding piece after piece. “Errors” which, in fact, are only inappropriate in a given context, will be found entirely or partially hidden.
She tears up prepared papers to re-construct, a bit like nature progresses. same: new life feeds on past life
Between 1987 and 2012 speaker in schools and associations.
Acquisitions of paintings in 2005 and 2016 by the General Council of the Dordogne FDAC Collection Departmental Contemporary Art Fund.
Publication and illustration of four storybooks for adults and children.
Prix de Périgord - Salon Biennale Société des Beaux Arts de Périgord and First Prize at the Salon de Manzac.
Prize at the Salon "Paysages" Mortagne au Perche.
His works are in private collections in England, Scotland, , Canada, Australia and Asia and in public institutions: General Council of the Dordogne FDAC collection, and town halls of Notre Dame de Sanilhac and Sorges.
His workshop is open to the public. A simple phone call or email will be enough to set up an appointment.
- Nationality:
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
Explore the history of art through AI
Visually similar works of art history
