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As the Evening’s Shadows Fade (2024) Painting by Julia Everett

Oil on Canvas, 23.6x23.6 in
$1,086.18
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Oil on Canvas
  • Dimensions Height 23.6in, Width 23.6in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Seascape
“As the Evening’s Shadows Fade” is a minimal abstract seascape sunset oil painting on a 60x60cm x 4cm deep canvas. (24x24 x 1.5 inches). Inspired by the last light of the sunset over the sea in Hastings. It’s titled from Orange Moon by Peter Bruntnell. It's painted in shades of blue and with red, orange and pink. The paint has a glossy sheen and is [...]
“As the Evening’s Shadows Fade” is a minimal abstract seascape sunset oil painting on a 60x60cm x 4cm deep canvas. (24x24 x 1.5 inches)

Inspired by the last light of the sunset over the sea in Hastings. It’s titled from Orange Moon by Peter Bruntnell

It's painted in shades of blue and with red, orange and pink. The paint has a glossy sheen and is textured in parts. The painting continues around the sides of the canvas.

It is signed on the back, ready to hang and comes with a signed and dated Certificate of Authenticity

Related themes

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I paint my abstract seascapes from memory rather than life and I want to evoke a sense of place, however abstract the work becomes. My paintings are influenced by the British Coastline, particularly Sussex and [...]

I paint my abstract seascapes from memory rather than life and I want to evoke a sense of place, however abstract the work becomes. My paintings are influenced by the British Coastline, particularly Sussex and Cornwall. Lately, I have been mesmerised by light on the horizon and have painted a series of seascapes depicting this. Some of which have turned out quite simple and abstract, sometimes my paintings turn out to be more figurative. I often paint with my hands and with sponges rather than brushes. I paint with oil on canvas and usually use the paint straight from the tube and mix it on the canvas with my fingers. I love working with pure colour and I am fascinated with light on water at certain times of day. Together with horizons, my work has a recurring theme of time and an exploration of changing light, particularly at sunset. My studio in Hastings has a view of the sea so I can work straight onto the canvas which I feel gives the painting a freshness. I am often instantly inspired by the colours of the sky and the sea from my window so I like to immediately start painting and see where it takes me. I love painting the light on the horizon. Music is integral to my work and I always listen to songs to get me in the zone when painting and feel this has a strong influence on how the painting turns out. For me music triggers memories and feelings and each painting is an emotional response to a sensory experience and an attempt to recapture how it felt to be in a particular place at a certain time. Lately I’ve been listening to a lot of dreamy folk music like Johnny Flynn, Martha Tilston, John Martyn and Sandy Denny. I think this adds an ethereal quality to the paintings and I often get lost in the music and don’t realise where the time goes. I always title my paintings from songs, with lyrics often jumping out at me while I'm painting that seem to fit the artwork perfectly. I feel that a snippet of a song lyric as a title gives the painting extra depth. I have always felt driven to paint and can't imagine doing anything else.

See more from Julia Everett

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Painting titled "However Far Away" by Julia Everett, Original Artwork, Oil Mounted on Wood Stretcher frame
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Painting titled "From Light to Blue" by Julia Everett, Original Artwork, Oil Mounted on Wood Stretcher frame
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