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" La tour " (2001) Painting by Laurent Mangepapier

Monotype on Paper, 25.4x19.7 in
$487.38
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Fine art paper, 12x6 in

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  754 px  

1500 px
Dimensions of the file (px) 754x1500
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Pastel on Paper
  • Dimensions Height 25.4in, Width 19.7in
  • Artwork's condition The artwork is in good condition
  • Framing This artwork is not framed
  • Categories Monument
Monotype (la surface peinte est de 60/30 cm), aquarelle, pastels et crayons de couleurs conté. Série Maison Dieu, une des cartes les plus mystérieuse du tarot divinatoire About this artwork: Classification, Techniques & Styles. Monotype. Printing technique without engraving which produces a unique print. It consists of painting a non-porous [...]
Monotype (la surface peinte est de 60/30 cm), aquarelle, pastels et crayons de couleurs conté
Série Maison Dieu , une des cartes les plus mystérieuse du tarot divinatoire

Related themes

Oiseau

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Artiste pluridisciplinaire maniant le pinceau et le crayon depuis toujours, l’univers artistique de Laurent Mangepapier s’apparente de prime abord à de l’art naïf, où le figuratif saute aux yeux, tout comme la [...]

Artiste pluridisciplinaire maniant le pinceau et le crayon depuis toujours, l’univers artistique de Laurent Mangepapier s’apparente de prime abord à de l’art naïf, où le figuratif saute aux yeux, tout comme la couleur, franche et vive. Une certaine candeur se dégage des formes arrondies et douces, finement rehaussées d’une multitude de pointillés Plus qu’un ornement, ceux ci s’enrichissent de symboles, d’inscriptions, de signes primitifs Le regard peint fixe et captive les mains, ouvertes et tendues comme des offrandes, invitent à entrer dans la danse .  Laurent Mangepapier travaille sur de nombreux s papier, bois, ardoises, mannequins de couture, qui prennent sous ses doigts des allures enchanteresses pour nous emmener sur ses chemins de prédilection la mort, la féminité, l’Histoire, les mythes, sont les thématiques qui lui sont chères . L’œuvre conjugue les têtes de mort en pose espiègle, les visages sages à l’horreur ensanglantée, ou des volutes délicates entourant des pierres tombales Loin de la gravité angoissante et sombre d’une évocation funèbre, la grande faucheuse a des airs de calavera mexicaine à l’allure plaisante, tantôt drôle, tantôt enjolivée de broderies fleuries . Les femmes ont une place privilégiée tout au long de l’aventure artistique de Laurent Mangepapier Tantôt fées, tantôt sorcières, parfois humaines, douces ou porteuses d’une blessure, elles se font reines et envoûtantes, consolantes et puissantes . Çà et là, le spectateur rencontre des légendes, des symboles, des ages oubliés de l’Histoire qui se veulent moins être une critique facile de notre société qu’un engagement à la réflexion personnelle . Les portraits font face, parfois auréolés d’or, tels des icônes au doux parfum byzantin . Les anges et les saints livrent leur message ésotérique à qui saura le décrypter .

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