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Brume 5 (2025) Photography by Jean-François Mansencal

Fine art paper, 8x12 in

Purchase a license to use this image for your website, communications or to sell merchandise.

immediately upon purchase
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$57.02
Usage: Web Licence
Using the image on a website or on the internet.
  1000 px  

1500 px
Dimensions of the file (px) 1000x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
immediately upon purchase

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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Bird
Une aigrette qui pêche un jour de brouillard en hiver sur le bassin d'Arcachon About this artwork: Classification, Techniques & Styles. Technic Photography. Photography refers to the combination of processes, techniques and materials that allow you to capture a subject in still images. Photograph also refers to the image that is obtained, whether it [...]
Une aigrette qui pêche un jour de brouillard en hiver sur le bassin d'Arcachon
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Après avoir trop longtemps délaissé les possibles interactions entre peinture et. photographie, l’arrivée du numérique a ouvert d’intéressantes pistes de recherche sur les différents procédés techniques pour y [...]

Après avoir trop longtemps délaissé les possibles interactions entre peinture et

photographie, l’arrivée du numérique a ouvert d’intéressantes pistes de recherche sur les différents procédés techniques pour y arriver. Je m’efforce maintenant de conjuguer mes deux amours, tout en veillant scrupuleusement à ne pas dénaturer l’un par rapport à l’autre.

La frontière est infime et je lutte tout au long de mes images pour ne pas la franchir. La photographie n’est-elle pas l’héritage de la peinture puisque les règles de composition et de couleurs, entre autres, sont les mêmes ? C’est pour cela que je veille à ce que mes natures mortes flirtent avec la matière pour s’habiller de ce côté pictural. Il est important pour moi que la photographie sorte du carcan de procédé mécanique et chimique, et qu’elle

devienne une création artistique à part entière, voulue et maîtrisée, que ce soit dans la construction artistique comme dans la réalisation technique.

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