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Le Bateleur ( seconde version ) (2025) Painting by Nicolas Duffaud

Oil on MDF Board, 23.6x15.8 in
$1,117.84
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  • Oil on MDF Board
  • Dimensions Height 23.6in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Men portraits
Première arcane majeure du tarot de Marseille, le Bateleur est un symbole de jeunesse, d'énergie, de force vitale. C'est un saltimbanque, un artiste ambulant, un acrobate. Je l'ai représenté dans une attitude nonchalante, fière et décontractée, une main sur le côté, l'autre tenant son bâton. Une balle de jonglerie traine sur le sol. Le tableau mesure [...]
Première arcane majeure du tarot de Marseille, le Bateleur est un symbole de jeunesse, d'énergie, de force vitale. C'est un saltimbanque, un artiste ambulant, un acrobate. Je l'ai représenté dans une attitude nonchalante, fière et décontractée, une main sur le côté, l'autre tenant son bâton. Une balle de jonglerie traine sur le sol. Le tableau mesure 60 cm de hauteur sur 40 cm de largeur, peint sur un panneau de bois entoilé. J'ai voulu conserver le maximum d'énergie, de souplesse et de vitalité dans l'application de la peinture, aussi ai-je posé chaque coup de pinceau une bonne fois pour toute, en évitant au maximum de les retravailler. L'oeuvre est essentiellement réalisée en une seule couche (à l'exception de quelques retouches çà et là). Certaines zones sont plus épaisses, comme le personnage, et d'autres plus fines, comme le sol.

The first major arcana of the Tarot de Marseille, Le Bateleur, is a symbol of youth, energy, and vitality. He is a street performer, a traveling artist, an acrobat. I depicted him in a nonchalant, proud, and relaxed pose, one hand at his side and the other holding his staff. A juggling ball lies on the ground. The painting measures 60 cm high by 40 cm wide, painted on a canvas-backed wooden . I wanted to preserve as much energy, flexibility, and vitality as possible in the application of the paint, so I applied each brushstroke once and for all, avoiding reworking them as much as possible. The work is essentially done in a single layer (with the exception of a few touch-ups here and there). Some areas are thicker, like the character, and others thinner, like the ground.

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Bateleur

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A self-taught cartoonist, I have long practiced comics as a hobby. For years I devoted myself to black and white ink drawing, rather comic or fanciful, with a predilection for caricature, while making a few forays [...]

A self-taught cartoonist, I have long practiced comics as a hobby. For years I devoted myself to black and white ink drawing, rather comic or fanciful, with a predilection for caricature, while making a few forays into watercolor. Then I discovered digital painting. I studied the techniques of classical painting that I reproduced on the computer. Finally, it was in oil painting that I found the medium with which I preferred to express myself. I know today that my life cannot be done without painting, to the point of having launched myself as a professional. As for the subjects, I can paint them from nature or from photography. I also discovered in artificial intelligence a motivating tool that allows me to expand my creativity.

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