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paysage inversé 29/35 (2025) Photography by Nicolas Lespagnol

Photography, 23.6x35.4 in
$1,994.9
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Customer's reviews (4)
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Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Aluminium
This artwork appears in 1 collections
  • Digital Photography on Paper
  • Number of copies available 8
  • Dimensions Height 23.6in, Width 35.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Nature
Cet homme semble courir sur un sol bien stable. Il sera surpris au bout de sa course, mais peu importe car le moment présent est sa course enlevée. Illusion impossible, cette photographie la montre bien et elle me titille car je e du vraisemblable au faux. Le ciel est peu épais mais son bleu traduisant le vide est bien présent About this artwork: [...]
Cet homme semble courir sur un sol bien stable. Il sera surpris au bout de sa course, mais peu importe car le moment présent est sa course enlevée.

Illusion impossible, cette photographie la montre bien et elle me titille car je e du vraisemblable au faux

Le ciel est peu épais mais son bleu traduisant le vide est bien présent

Related themes

Désert

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Nicolas LEspagne is a photographer whose artistic work is deeply influenced by abstraction and abstract expressionism in painting. For him, photography offers a unique way to explore the emotions and concepts [...]

Nicolas LEspagne is a photographer whose artistic work is deeply influenced by abstraction and abstract expressionism in painting. For him, photography offers a unique way to explore the emotions and concepts related to these artistic movements while capturing the real world around him.

His photographic series, notably the one entitled "Welded Landscapes", bear witness to his quest to strip reality of its perceived reality, while preserving its integrity. This paradoxical process involves eliminating elements such as time, narrative, depth and sensory impressions in order to retain only form. The end result of these experiments can sometimes seem abstract, creating a link between photography and abstract painting.

Nicolas attaches great importance to maintaining photography's ability to convey the reality of the medium. He refuses to complicate the image to the point of transforming it into painting or mixed media. Instead, he opts for normal subjects, simple shots, and compositions that are accessible to the viewer. The goal is to allow the audience to feel connected to the image, as if they had taken the photograph themselves.

Another important feature of his approach is the elimination of time. Nicolas believes that capturing a precise moment, although it can reveal an essential detail, often excludes the moment before and the moment after. He prefers to create images that suggest permanence, thereby eliminating duration. This approach aims to bring together the moments before and after the captured moment, creating a photographic experience that transcends time and captures the timeless essence of reality.

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