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Idle Talk [Gerede] – Part 1 (BT168/169) (2024) Painting by Noël Van Hoof

Seller Noël Van Hoof

Fine art paper, 9x8 in

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Certificate of Authenticity included
Ready to hang
This artwork is framed
This artwork appears in 1 collections
  • Watercolor on Cardboard
  • Dimensions 19.7x15.8 in
    Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Caricature
Martin Heidegger – Being and Time – BT168/169. In the language which is spoken when one expresses oneself, there lies an average intelligibility; and in accordance with this intelligibility the discourse which communicated can be understood to considerable extent, even if the hearer does not bring himself into such a kind of Being towards what the [...]
Martin Heidegger – Being and Time – BT168/169

In the language which is spoken when one expresses oneself, there lies an average intelligibility; and in accordance with this intelligibility the discourse which communicated can be understood to considerable extent, even if the hearer does not bring himself into such a kind of Being towards what the discourse is about as to have a primordial understanding of it. We do not so much understand the entities which are talked about; we already are listening only to what is said-in-the-talk as such. What is said-in-the-talk gets understood; but what the talk is about is understood only approximately and superficially. We have the same thing in view, because it is in the same averageness that we have a common understanding of what is said.
Hearing and understanding have attached themselves beforehand to what is said-in-the-talk as such. The primary relationship-of-Being towards the entity talked about is not 'imparted' by communication; but Being-with-one-another takes place in talking in one another and in concern with what is said-in-the-talk. To this Being-with-one-another, the fact that talking is going on is a matter of consequence. The Being-said, the dictum, the pronouncement [Ausspruch] – all these now stand surely for the genuineness of the discourse and of the understanding which belongs to it, and for its primary relationship-of-Being towards the entity talked about, or else has never achieved such a relationship, it does not communicate in such a way as to let this entity be appropriated in a primordial manner, but communicates rather by following the route of gossiping and ing the world along. What is said-in-the-talk as such, spreads in wider circles and takes on an authoritative character. Things are so because one says so. Idle talk is constituted by just such gossiping and ing the world along – a process by which its initial lack of grounds to stand on [Bodenständigkeit] becomes aggravated to complete groundlessness [Bodenlosigkeit]. And indeed this idle talk is not confined to vocal gossip, but even spreads to what we write, where it takes the form of 'scribbling' [das “Geschreibe”]. In this latter case the gossip is not based so much upon hearsay. It feeds upon superficial reading [dem Angelesenen]. The average understanding of the reader will never be able to decide what has been drawn from primordial sources with a struggle and how much is just gossip. The average understanding, moreover, will not want any such distinction, and does not need it, because, of course, it understands everything.

(Translation by John Macquarrie and Edward Robinson)

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Martin Heidegger

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Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are [...]

Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.

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