


Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
The Indefiniteness of Death – Part 1 (BT 258) (2025) Painting by Noël Van Hoof
Seller Noël Van Hoof
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1251 px | ||
![]() |
1500 px |
Dimensions of the file (px) | 1251x1500 |
Use worldwide | Yes |
Use on multi- | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Watercolor on Cardboard
- Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Fantasy
One says, “Death certainly comes, but not right away”. With this 'but not right away”. With this 'but . . .', the “they” denies that death is certain. 'Not right away' is not a purely negative assertion, but a way in which the “they” interprets itself. With this interpretation, the “they” refers itself to that which is proximally accessible to Dasein and amendable to its concern. Everydayness forces its way into the urgency of concern, and divests itself of the fetters of a weary 'inactive thinking about death'. Death is deferred to 'sometime later', and this is done by invoking the so-called 'general opinion' [“allgemeine Ermessen”]. Thus the “they” covers up what is peculiar in death's certainty – that it is possible at any moment. Along with the certainty of death goes the indefiniteness by conferring definiteness upon it. But such a procedure cannot signify calculating when the demise is due to arrive. In the face of definiteness such as this, Dasein would sooner flee. Everyday concern makes definite for itself the indefiniteness of certain death by interposing before it those urgencies and possibilities which can be taken in at a glance, and which belong to the everyday matters that are closest to us.
But when this indefiniteness has been covered up, the certainty has been covered up too. Thus death's ownmost character as a possibility gets veiled – a possibility which is certain and at the same time indefinite – that is to say, possible at any moment.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
- Nationality: NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
See more from Noël Van Hoof
Explore the history of art through AI
Visually similar works of art history











