Spheres, Orders (2022) Painting by Qinglu Liu (Lukas)
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Usage: Web Licence
| 780 px | ||
 |
1500 px |
| Dimensions of the file (px) | 780x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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My art is closely tied to my personal journey. From the countryside to the town, from county cities to provincial capitals, and then to Beijing and international metropolises, my experiences have encomed almost every level and social stratum. These diverse experiences have greatly influenced the formation of my "class theory." Whether it is the structure within a family, the political systems between nations, or the distinct rules governing different age groups and social classes, all of these spheres follow their own independent sets of rules. This seemingly invisible yet omnipresent "layered" relationship is at the core of my artistic creation.
This work is not only a reflection on class structure but also a profound dissection of the universal laws of human society. It visually presents the concept of social layers while provoking philosophical reflection—how we define ourselves within these layers and how we cross seemingly insurmountable boundaries.
If I am able to break the highest records at international auctions in the future, this piece will undoubtedly be a leading contender. It encapsulates my deep insights into the times and society, and it represents my independent voice and style as an artist.
Related themes
My work is deeply rooted in the exploration of identity, culture, and the intersection of the natural and the digital. My artistic journey began in my early years, influenced by a fascination with both traditional and modern forms of expression. Growing up in China and living in Dubai for 10 years, I was drawn to the contrasts between Eastern philosophies and Western ideologies, which became a central theme in my work.
My style is often characterized by surreal and symbolic imagery, blending elements of pop culture, science fiction, and Eastern iconography. The recurring figures in my work—such as the Penguin and the Astronaut Deer—serve as metaphors for the human condition, questioning our place in a rapidly changing world. These characters, while playful and whimsical, reflect deeper themes of isolation, exploration, and the search for meaning in an increasingly complex society.
Over the years, I’ve honed a unique visual language that balances the abstract and the figurative, merging traditional techniques with contemporary digital media. My use of vibrant colors and dynamic compositions is intended to provoke thought and evoke emotional responses, inviting viewers to reflect on their own experiences and the broader global narrative.
At the heart of my practice is a desire to bridge cultural divides, creating works that speak to both local and global audiences. I am particularly interested in how art can transcend geographical boundaries, bringing people together through shared human experiences. Whether through painting, digital art, or mixed media, my work is a continuous conversation with both the past and the future, the tangible and the intangible.
Throughout my career, I have been constantly evolving, learning from each new project and each new encounter with my audience. My work is never static; it grows and shifts in response to the world around me, pushing the boundaries of my creativity while remaining anchored in my core beliefs and values. Ultimately, I see my art as a journey—a way to explore the ever-changing landscape of human existence, both personal and collective.
- Nationality: CHINA
- Date of birth : 1986
- Artistic domains:
- Groups: Chinese Contemporary Artists
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