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Suffocated (2023) Painting by Ritchelly Oliveira

Acrylic on Canvas, 19.7x19.7 in
$7,087.84
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
  • Charcoal on Canvas
  • Dimensions Height 19.7in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Bird
Suffocated, 2023. Charcoal and Acrylic on Canvas. 50 x 50 cm / 13.8 x 13.8 in. A striking fusion of realism and emotion, Suffocated by Ritchelly Oliveira is a thought-provoking piece that masterfully captures the tension between fragility and power. Rendered in charcoal and acrylic, the work presents a hauntingly beautiful composition of a human face [...]
Suffocated, 2023
Charcoal and Acrylic on Canvas
50 x 50 cm / 13.8 x 13.8 in
A striking fusion of realism and emotion, Suffocated by Ritchelly Oliveira is a thought-provoking piece that masterfully captures the tension between fragility and power. Rendered in charcoal and acrylic, the work presents a hauntingly beautiful composition of a human face intertwined with a flock of birds in flight. The detailed monochromatic rendering of the subject contrasts against the warm earthy background, evoking a sense of movement, entrapment, and longing.
Oliveira’s exceptional technique brings forth a tactile depth—each feather, each expression is rendered with precision, allowing the viewer to feel both the weight and lightness of the scene. The circular format enhances the immersive quality of the work, drawing the eye toward the dramatic interplay of light and shadow. The theme speaks to resilience, introspection, and the complex relationship between freedom and constraint.
Ritchelly Oliveira’s work is recognized for its ability to bridge the personal and the universal, making it deeply resonant for collectors. His approach to figurative art, blending traditional charcoal drawing with contemporary painting techniques, results in a piece that is both timeless and visually compelling. The intimate scale (50 cm diameter) allows for versatility in placement, whether as a focal point in a collection or as part of a larger curated display.
This original artwork is in pristine condition, meticulously crafted on canvas with high-quality materials to ensure longevity. The subtle textures of charcoal and acrylic add dimension to the surface, inviting close inspection. It is unframed, allowing the collector to choose a presentation style that best suits their space.
Ritchelly Oliveira’s works often explore identity, memory, and human connection with nature. Suffocated embodies his signature style—narrative-driven, rich in symbolism, and executed with masterful detail. This piece invites interpretation, making it a meaningful addition to any collection.
For inquiries or further details, please the gallery. Shipping and secure packaging options are available upon request.

Related themes

Realism

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Artist represented by Tilsitt Gallery
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Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since [...]

Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.

Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.

Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.

The Artist was highlighted in an article in ArtMajeur Magazine:

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