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A Stroke of Luck. (2025) Painting by Robert Van Den Herik

Acrylic on MDF Board, 16.5x24 in
$1,659.9
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Artwork signed by the artist
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Ready to hang
This artwork is framed
  • Acrylic on MDF Board
  • Dimensions 18.5x26 in
    Dimensions of the work alone, without framing: Height 16.5in, Width 24in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Landscape
“A Stroke of Luck.”. Dit is een surrealistische voorstelling van een verlaten planeet in de kosmos. Langs de kant van de snelweg staat een grote gemberpot. Op hout geschilderd met acrylverf. Gedateerd: 3-3-2025. About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Surrealism. [...]
“A Stroke of Luck.”.
Dit is een surrealistische voorstelling van een verlaten planeet in de kosmos.
Langs de kant van de snelweg staat een grote gemberpot.
Op hout geschilderd met acrylverf.

Gedateerd: 3-3-2025.

Related themes

Surrealism

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Robert Van Den Herik is a contemporary Dutch artist. Drawing inspiration from magical realism and surrealism, particularly from the works of Carel Willink and Salvador Dali, he embarked on his artistic journey. [...]

Robert Van Den Herik is a contemporary Dutch artist. Drawing inspiration from magical realism and surrealism, particularly from the works of Carel Willink and Salvador Dali, he embarked on his artistic journey. Following his education at the Design Academy Eindhoven, he initially pursued a career as a product designer for different companies. It was during this time that he introduced his own innovative product called the Shantala baby bath, revolutionizing the way babies are bathed.

As his artistic exploration deepened, he delved into the realm of "Art versus Design." He began creating lighting fixtures, furniture, and garden decorations, all meticulously crafted by hand. In these creations, aesthetics often took precedence over functionality, allowing his artistic vision to flourish.

The Artist was highlighted in an article in ArtMajeur Magazine:

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