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Cesto in vimini con limoni (2003) Painting by Rosario Iazzetta

Oil on Canvas, 27.6x19.7 in
$2,464.84
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Fine art paper, 11x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
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This artwork is framed
Mounted on Other rigid
  • Oil on Canvas
  • Dimensions Height 27.6in, Width 19.7in
  • Framing This artwork is framed
  • Categories Still life
Cesto in vimini con limoni. Opera realizzata ad olio su tela di cotone e completa di ottima cornice dorata. Il dipinto è una copia da Luciano Ventrone. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly [...]
Cesto in vimini con limoni. Opera realizzata ad olio su tela di cotone e completa di ottima cornice dorata. Il dipinto è una copia da Luciano Ventrone.
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Iazzetta Rosario nasce a Napoli il 13 Settembre del 1972. Frequenta il secondo "ISA" - Istituto Statale d'Arte di Napoli con indirizzo Grafica e Stampa. Ha come maestro di plastica il professore Antonio Giannino [...]

Iazzetta Rosario nasce a Napoli il 13 Settembre del 1972. Frequenta il secondo "ISA" - Istituto Statale d'Arte di Napoli con indirizzo Grafica e Stampa. Ha come maestro di plastica il professore Antonio Giannino allievo di Emilio Greco. Elemento predominante è la materia grafica, il disegno come ricerca e formazione. Tutt'ora il segno distintivo son le tecniche grafiche, in special modo inchiostro e matita nera. Ciò fornisce gran stabilità a quello che in seguito lo impegnerà nello studio della tecnica della pittura ad olio su tavola. I soggetti preferiti sono il figurativo, in particolar modo il ritratto. Ciò che distinguerà maggiormente la propria attività non sarà solo l'intensa produzione grafica, bensì l'idea della realizzazione di una vera bottega d'arte specializzata nella riproduzione del disegno classico d'autore attraverso la copia dei disegni dei maestri del ato con l'utilizzo degli stessi materiali: matita nera, carboncino, sanguigna, penna d'oca o pennino, punta d'argento e punta di piombo su carta preparata. Ogni opera è realizzata interamente a mano, non vi è alcuna traccia dell'utilizzo di proiettori, stampe, photoshop o altro. Le copie realizzate non sono dei falsi d’autore! In gran parte è realizzato su commissione come in una vera bottega del rinascimento.

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