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《Bathed in Light》 (2021) Painting by Rui Ji
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Usage: Web Licence
1067 px | ||
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1500 px |
Dimensions of the file (px) | 1067x1500 |
Use worldwide | Yes |
Use on multi- | Yes |
Use on any type of media | Yes |
Right of reselling | No |
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- Oil on Linen Canvas
- Dimensions 23.6x31.5 in
Dimensions of the work alone, without framing: Height 19.7in, Width 27.6in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Esotericism
At the center of the canvas, a weathered cloth bag and a translucent plastic bottle engage in a silent dialogue against a dark backdrop. The bag’s coarse cotton weave forms a texture resembling cracked leather, its frayed seams and natural folds echoing the rings of ancient trees—chronicles of journeys and usage etched into fabric. The bottle, sleek with industrial precision, curves like molten glass, its condensation droplets crystallizing into microscopic mirrors that scatter fragmented light, reminiscent of a prism refracting modernity’s hues.
The artist employs a vertical composition to amplify spatial depth: the background’s intersecting dark lines mimic both the fissures of aged parchment and the binary code of digital streams, plunging viewers into a liminal space where physical and psychological dimensions overlap. A cool, diagonal light source slices through the scene, lending the bag a matte bronze patina while transforming the bottle’s surface into liquid mercury—a striking metamorphosis symbolizing the perpetual tension between rationality and emotion in contemporary life.
Silver scratch marks along the edges, like unfinished brushstrokes, disrupt the static composition yet subtly anchor equilibrium. Following the light’s trajectory, the gaze settles on the blurred text of the bottle’s label—consumerist symbols now abstracted into digital ghosts, lingering like afterimages of electronic signals on the retina.
This minimalist allegory juxtaposes weight and lightness: the bag, burdened by memory, versus the bottle, embodying transient modernity. Within the microscope of light and shadow, everyday objects become prisms revealing existence’s core. As we magnify their material folds, we glimpse the solitary beam of light individuals seek amid the maze of consumerism—where practicality dances with poetry, and imperfection embraces wholeness.
Ji Rui's life began on March 2, 1985 in Harbin, China. When he was young, he was itted to the Harbin Academy of Art for further studies. After graduation, he used commercial painting to himself (illustration, comics, magazine illustrations, photographer, etc.), and he has been working hard to improve his skills after work. After he became a disciple of Mr. Li Zhenyu, a famous Chinese oil painter in 2015, the direction of his life became clearer, and he began to devote almost all his energy to artistic creation. So far, he has participated in more than 30 national, provincial and municipal art exhibitions and won many awards. He successfully ed the provincial/municipal artist association and served as a member of the provincial artist committee. He has participated in the training of the China Federation of Literary and Art Circles and the Artists Association many times. Ji Rui was deeply influenced by artists such as Euan Uglow, Li Zhenyu, and William-Adolphe Bouguereau in his painting creation, and is committed to finding the perfect balance between realism and freehand brushwork.
- Nationality: CHINA
- Date of birth : 1985
- Artistic domains:
- Groups: Chinese Contemporary Artists
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