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Lullaby #1 (stratégies de l'effacement) (2024) Painting by Samuel Etienne

Acrylic on Canvas, 31.5x23.6 in
$1,864.62
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Certificate of Authenticity included
Mounted on Wood Stretcher frame
  • Acrylic on Canvas
  • Dimensions Height 31.5in, Width 23.6in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000
About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Technic Painting. Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on s such as paper, rock, canvas, wood, bark, glass, concrete [...]
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Samuel Etienne (aka Seitoung) est scientifique de formation, enseignant-chercheur en géosciences pendant plus de 20 ans (1997-2018). Il édite des fanzines depuis le milieu des années 1980. Co-fondateur du centre [...]

Samuel Etienne (aka Seitoung) est scientifique de formation, enseignant-chercheur en géosciences pendant plus de 20 ans (1997-2018). Il édite des fanzines depuis le milieu des années 1980. Co-fondateur du centre d’art contemporain Le Trampoline (à Vic-Le-Comte, 2017), il a créé les éditions Seteun en 1998 ; la revue Volume ! en 2002 ; la revue de recherches ZINES en 2020, dédiée aux fanzines et autres médias amateurs. Plus récemment, il a fondé la revue de bricolage science-art Fiction-Science avec l’école des Beaux-Arts de Rouen (ESADHaR) et le journal ACAZINE. Il a commencé à exposer ses travaux sur les fanzines en 2016 à l’invitation du Fonds Régional d’Art Contemporain de la région PACA à Marseille. Il développe depuis une recherche artistique autour des fanzines do-it-yourself en tant que matériaux plastiques (installation de type zinewall) et sur les paysages en tant qu’entité sensorielle que l’on peut capturer (consommer) et éditer (conserver).

Sa philosophie artistique a toujours reposé sur le DIY (do-it-yourself) qui consiste à puiser dans l’énergie du moment pour créer sans restriction et sans obstacles liés à une quelconque absence de qualification ou de légitimité pour agir. Ce moteur créatif se traduit en un vaste champ d’expérimentations plastiques qu’il a décliné dans les essais 52/66 Manifestes pour un art rebelle 100% DIY (Strandflat/Les presses du réel) et Bricolage radical. Génie et banalité des fanzines do-it-yourself vol. 1 & 2 (Les presses du réel).

Cherchant à établir des ponts entre art contemporain et sciences de la Nature, il édite également la revue Boulders, qui s’attarde sur la place des blocs rocheux – naturels ou artificiels – dans la recherche contemporaine, artistique ou géomorphologique. Six numéros ont paru depuis 2018. La constante des recherches artistiques de Samuel Etienne / Seitoung est leur concrétisation systématique sous forme d’imprimés, depuis le fanzine photocopié jusqu’au fanzine ou livre d’artiste unique. Il a publié une centaine d’articles et ouvrages scientifiques et a édité plus d’une quarantaine de fanzines et artzines. 

Son dernier ouvrage, Faire les poussières (2023) est un coffret d'artiste réalisé à l'issue d'une résidence chez Friville Editions qui présente ses recherches sur la conservation/consommation des paysages sous la forme des "payscaments", objet plastique qu'il a inventé en 2016 et qu'il décline sous forme d'objets uniques ou de petites séries.

See more from Samuel Etienne

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Sculpture titled "Apparatus du docteu…" by Samuel Etienne, Original Artwork, Wood Mounted on Wood
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Sculpture titled "Payscament - Hypero…" by Samuel Etienne, Original Artwork, Cardboard
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