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A.I.2 (2023) Drawing by Stefano Galli
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- Pastel on Paper
- Dimensions Height 11.8in, Width 11.8in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Technology
Il professore entrò in aula seguito dal suo robot personale e, diversamente dal solito, diede ordine
al robot di sedersi al suo posto, poi, guardando gli allievi, ad alta voce chiese al robot se gli volesse
bene; il robot rimase qualche istante in silenzio, poi rispose con: “riformulare la domanda”. Il
professore, indicando il robot, disse: “questa è la risposta giusta! Sentimenti, emozioni, non sono
semplici parole. Eppure, c’è chi per il futuro è convinto di inculcare in questo ammasso di ferraglia,
plastica e cavi elementi emozionali tali, da renderli sempre più simili all’individuo umano. Mi
domando come si possa pensare di ottenere qualcosa di buono da un trabiccolo elettronico,
seppure dalle prestazioni eccezionali, quando noi, essere umani già in possesso naturalmente di
quelle componenti, non facciamo altro che manifestare continuamente l’incapacità di capirci, di
andare d’accordo, di non ammazzarci.
Se imperfetti siamo noi dopo migliaia di anni di esistenza, come possiamo credere di essere gli
autori di un sistema comportamentale perfetto ed autonomo? Dico perfetto perché se, nel
costruirlo, sbagliamo anche di poco, ne sortirebbe un essere senziente ed autonomo altamente
pericoloso date le sue capacità.
Per sperimentare quanto sopra, e cioè l’inserimento di concetti astratti, inizierei con le nozioni di
bene e male che, ovviamente, abbiano una interpretazione non relativistica. Pensate di trovare
una soluzione di valore assoluto? Secondo me non la troveremo mai.”
Related themes
Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.
Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.
The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.
Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, , Belgium, , England, Spain, Russia, and the United Arab Emirates.
- Nationality: ITALY
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Italian Artists
Stefano Galli: The innate desire to draw 
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